FROM THE NEWS ARCHIVES OF CINEMA CONFIDENTIAL
EXCLUSIVE INTERVIEW: Sean Bean on "Flightplan"
POSTED
ON
09/23/05 AT 11:30 A.M.
BY ETHAN AAMES
A student of the Royal Academy of Dramatic Arts, Sean Bean has quite a reputation
in London for his many works in theater and the Royal Shakespeare Company. But
in the United States, he’s probably best known for his rough and gruff
characters, including his roles in “GoldenEye,” “The Lord
of the Rings: The Fellowship of the Ring,” “Troy,” “National
Treasure,” and this summer’s “The Island.” On September 23rd, Bean will once again be seen in what promises to be another
entertaining big screen thriller, “Flightplan,” in which he co-stars
with Jodie Foster, Peter Sarsgaard, and Erika Christensen. Bean plays Captain
Rich, the pilot of a massive state-of-the-art airplane en route from Germany
to the United States. His leadership duties are called into play when a passenger
named Kyle Pratt (Jodie Foster) insists that her daughter has seemingly vanished.
After ordering a thorough search of the plane and an investigation among the
passengers and crew members, he finds that there is no record or recollection
of Kyle’s daughter having ever boarded the plane. Is Kyle losing her mind
or is there a bigger mystery at hand? Sean called us from London to talk about his upcoming feature and here is what
he had to say: CC: “Flightplan” sounds like it has a really cool premise. What
drew you to the script? SEAN: I thought it was a really good thriller. I read it and you just don’t
know what’s going to happen next. It’s action-packed and interesting.
Who is who until the end? Who is a good guy? Who is a bad guy? There’s
a lot of twists and turns and it was a good movie to work on with Jodie Foster.
And Peter Sarsgaard, I think he’s really good. It was just a very classic
script. CC: You seem to always get the “shady” roles where you’re
the gruff guy and we never know what his intentions are right away. As the captain
of this huge plane, does he support Jodie Foster’s character or does he
not believe her? SEAN: He’s not troubled by it. He seems it’s strange to talk about
someone who has lost a child on a plane. I think he’s committed to putting
the situation out. Obviously, when she becomes more and more desperate, he gets
more and more disturbed about the whole situation. It’s his responsibilities
to maintain calm in this intense situation. It’s a matter of whether he
believes her. There are points when he does and points where he doesn’t.
She’s either crazy or telling the truth. CC: It must be interesting working on a movie like this because I’m
imagining most of the movie takes place on this plane and even though it’s
a huge plane, it’s probably one set. Was that claustrophobic at all? SEAN: It was, yeah. When you have a film crew in there, you can hardly move
when you think about the camera, the sound guy, and this and that. That claustrophobia
helped in a way. It made seem very tight but it makes you feel like you want
to get out but you can’t. I’ve been on planes like that myself and
they’re quite small. You get the feeling in this film that you can’t
get off and it gets smaller and smaller as the story goes on. CC: It seems like the plane is almost a character in itself… SEAN: This plane that we’re talking about has 700 seats. It’s got
two levels and seven galleys. It’s a massive piece of machine. It’s
so sophisticated. It’s almost like a small mall or a city. It’s
got every conceivable comfort option, especially first class, you know what
I mean? There’s just tons of people there and it takes on its own identity.
CC: It’s somewhat based on the new Airbus coming soon right? SEAN: Yeah. I think they just tested them and they’re coming out next
year. They are quite big. It’s not inconceivable that one could get lost
in such a plane. CC: How was working with Jodie Foster? Was she someone you always wanted
to work with? SEAN: She was focused and intense with her approach. I’ve always been
a big fan of hers. I think Jodie’s totally believable so that was good.
She tends to reassure your own game. She’s a benchmark in acting and quite
high. She’s quite inspiring. CC: Whenever you have a thriller that takes place on a plane now, you can’t
help but draw connections to current events. Does the movie’s suspense
reflect a post-9/11 paranoia about airplanes and flying? SEAN: I think they started developing this before 9/11. Fortunately, some of
the elements of the story have brought in some of the reality of traveling now
with the heightened security. But it’s basically a story about a mother
who’s lost a child and has got to conquer her fears, build her strength,
and attempt to save her daughter. Rather than [being] a film about a plane who
can use it as a weapon of destruction, it’s about the psychology between
a mother and a daughter and the rest of the people on a plane. CC: You’ve traveled to so many places in the world as an actor. Have
you had any scary experiences yourself or are you a calm flyer? SEAN: I am now. I used to be a bit terrified of flying. In “Lord of the
Rings,” we had to go up in helicopters and I had to walk the whole way
really [laughs]. I was two hours behind everybody else on top of this mountain
because I just didn’t want to get in any helicopters. I was terrified
of them. But with planes, I’m used to them now. But I still get a bit
dodgy with turbulence. "Flightplan" opens in theaters September 23rd.

